
INT. CREATE YOUR SCREENPLAY,
GENRES - DAY OR NIGHT
........................................CUT
TO:
MOVIE
GENRES PAGE
From
the Create Your Screenplay Seminar
14 Movie Genres
Introduction: The Issue of Genres
How do you take an amorphous mass of ideas and thoughts and inspirations, and use your imagination to create a screen story that will grow into a screenplay?
One of the key steps for success is to embrace the genres of stories that fire up your imagination, the genres that have a personal visceral appeal.
Choosing the right blend of genres is vital to the success of your story and ultimately your screenplay. Genres, well understood, provide the writer with compass bearings on the style, tone, character types, themes and structure that will enrich and direct the telling of the screen story.
Knowing a genre’s typical framework and ingredients helps a writer to avoid cliché and stereotype. More importantly, knowing the genre is the only way to know how to ring the changes on the story form and create freshness in the work.
The following basic genres are defined in terms of the central struggle of the story.
"Typing" Genres is, at its worst, a prejudice, and at its best, an inexact science; nevertheless, here is my version of the basic types of movies.
The main point of this exercise is to provide a tool to understand, test, and define the different types of movies being made, and thus assist the writer to situate his or her own script in a workable combination of genres.
Note: most Hollywood movies combine two genres in various proportions. For the screenwriter, the usefulness of knowing and defining two applicable genres when creating a screenplay resides in the benefit of greater focus, richer subplotting, and a keener sense of the audience.
| Action (Disaster): Stories whose central struggle plays out mainly through a clash of physical forces: For example: | |
|
48 Hours |
Return of the Jedi
(also Science Fiction) |
|
Adventure:
Stories
whose central struggle plays out mainly through encounters with new
"worlds." For example:
|
|
| Apollo
13 The Deep Get Shorty (extraordinary blend of Gangster, Love, and Crime with a twist) Indiana Jones and the Temple of Doom (also an Action picture) |
Little
Big Man (Also Epic/Myth) Lawrence of Arabia Quest For Fire Rain Man Robinson Crusoe Water World |
| Comedy: Stories whose central struggle causes hilarious results. For example: | |
| Ace
Ventura, Pet Detective (also Adventure––the name gives it away) Analyze This Annie Hall Bowfinger French Kiss |
Honey, I Shrunk the
Kids (also Fantasty)My Best Friend's Wedding |
| Coming-of-Age Drama: Stories whose central struggle is about the hero finding his or her place in the world: For example: | |
|
American Beauty |
Pretty In Pink |
| Crime: Stories whose central struggle is about catching a criminal: For example: | |
|
48 Hours |
Patriot
Games Pulp Fiction (Also Black Comedy, Bends the Genre a lot)) The Sting The Untouchables |
| Detective Story/Courtroom Drama: Stories whose central struggle is to find out what really happened and thus to expose the truth. For example: | |
|
Caine Mutiny |
The Maltese Falcon |
| Epic/Myth: Stories whose central struggle plays out in the midst of a clash of great forces or in the sweep of great historical change.: For example: | |
| Apocalypse
Now The Birth of a Nation Bridge on the River Kwai Butch Cassidy and the Sundance Kid Ghandi The Godfather |
Gone
With the Wind The Grapes of Wrath Lawrence of Arabia (also Adventure) Star Wars The Ten Commandments |
| Fantasy: Stories which are animated, or whose central struggle plays out in two worlds––the "real" world and an imaginary world. For example: | |
| A
Connecticut Yankee in King Arthur's Court Alice in Wonderland Antz Big Ghostbusters Heaven Can Wait |
Mary
Poppins The Mask Peter Pan Snow White Toy Story The Wizard of Oz Who Killed Roger Rabbit? |
| Gangster: Stories whose central struggle is between a criminal and society. A cautionary tale, rooted in a main character who commits crimes (This genre is often blended with Film Noir). For example: | |
| Badlands Bonnie and Clyde Butch Cassidy and the Sundance Kid Dead End Dead Man Walking The Godfather (also Epic/Myth) |
Goodfellas |
| Horror: Stories whose central struggle focuses on escaping from and eventually defeating a Monster (either human or non-human). For example: | |
| Alien The Blair Witch Project Friday the Thirteenth Halloween I Know What You Did Last Summer It's Alive |
King
Kong Nightmare on Elm Street Psycho Scream Tremors |
| Love (Romance): Stories whose central struggle is between two people who each want to win or keep the love of the other. For example: | |
| Annie
Hall As Good As It Gets Casablanca (also Epic/Myth) Ghost The Graduate It Happened One Night |
Mickey
Blue Eyes Notting Hill Pretty Woman Roman Holiday The Way We Were Wuthering Heights |
| Science Fiction: Stories whose central struggle is generated from the technology and tools of a scientifically imaginable world. For example: | |
| 2001
A Space Odyssey Back to the Future Blade Runner (also Crime) ET: The Extra Terrestrial The Fifth Element Gattaca |
The Sixth Sense |
| Social Drama: Stories whose central struggle is between a Champion and a problem or injustice in society. Usually the Champion has a personal stake in the outcome of the struggle. For example: | |
|
A Civil Action |
Network Philadelphia (also Courtroom Drama) Schindler's List To Kill a Mockingbird |
| Thriller: Stories whose central struggle pits an innocent hero against a lethal enemy who is out to kill him or her. This is a favorite genre to blend with a love story. For example: | |
| The
Net No Way Out North by Northwest (also Love Story) Sleeping With the Enemy |
Night
of the Hunter Three Days of the Condor Wait Until Dark Witness (also Love Story) |
|

|
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